【畫展預告】心象繪畫──高行健 Vision Intérieure: The Art of Gao Xingjian
2025-08-29心象繪畫──高行健
Vision Intérieure: The Art of Gao Xingjian
時間：2025/09/23 Tue.－2025/11/23 Sun.
地點：師大美術館展廳一、二 (臺北市大安區和平東路一段129號 和平校區Ⅱ)
主辦：國立臺灣師範大學 美術館、高行健資料中心
協辦：臺法文化教育基金會
Date: 2025/09/23 Tue.－2025/11/23 Sun.
Venue: NTNU Art Museum Gallery 1 & 2 (Heping Campus Ⅱ, No. 129, Sec. 1, Heping E. Rd., Da’an Dist., Taipei City)
Organizer: National Taiwan Normal University, Art Museum, Gao Xingjian Center
Co-organizer: Fondation Taïwano-Française pour l’Education et la Culture
你選擇的是在這社會和時代的限制下盡可能大的自由，
你選擇的是不理會市場行情的自由，
你選擇的是不追隨時髦的藝術觀念的自由，
你選擇的是做你自己最想做的藝術的自由。 ──高行健《另一種美學》
走近高行健的畫作，首先感受到的往往不是具體的圖像，而是一種氤氳飄忽、如夢似幻的氣息。墨色濃淡交錯，線條奔放飛白或凝重如思，彷彿觸及內在尚未成形的情緒記憶。這些畫既不屬於傳統山水人物，也非西方抽象畫的延伸，而是他所稱的「心象繪畫」——在現實與抽象之間捕捉內在感受的流動。畫面中偶爾浮現極簡人影，或凝視遠方，或行走於未知地景；亦見日、月、屋宇等朦朧輪廓，與筆墨流動交織成他筆下「內在風景」的視覺語彙。
不同於他在文學與戲劇中對荒謬現實與意識形態的叩問，高行健的繪畫是一種完全向內的沉潛。不為對外發聲，也不召喚共鳴，而是在灰階墨痕中展開個體精神的獨行旅程，一場藝術家與自身靈魂深處的靜默對話。
本展覽呈現高行健歷年捐贈給臺師大的畫作，創作時間橫跨1988年至今，展現其始終如一的美學追求——從個人內在出發，跨越現實與想像的邊界，構築一處由自由、詩性與孤絕交織而成的藝術空間。他曾言，繪畫應「回到人的視覺感受和內心，回到精神」。觀者也能在墨與白的節奏與流動之中，在凝視中對照自身，體會畫作所呈現的這層精神維度。
更多訊息：https://www.artmuse.ntnu.edu.tw/index.php/2025visioninterieure/
You choose the greatest possible freedom under the conditions of society and the times,
you choose the freedom not to be concerned with market trends,
you choose the freedom not to follow fashionable art concepts,
you choose the freedom to engage in the art you most want to,
you choose the freedom to engage in what suits your individual artistic taste. ──Gao Xingjian, Another Kind of Aesthetics
An encounter with Gao Xingjian does not initially present concrete imagery, but rather evokes an ethereal, evanescent atmosphere. Layered ink washes in varying tonalities, whether lines of flying white strokes rendered through freehand brushwork or saturated ink weighed with contemplative gravity, seem to trace inner emotions and memories still in formation. Neither conforming to traditional Chinese landscape or figure painting, nor extending from Western abstraction, Gao’s works are what he calls “vision intérieure,” which navigate a liminal space between reality and abstraction and capture the flow of inner experiences.
In the fluidity of his ink and brush, occasional forms emerge: of minimalist silhouettes gazing into the distance or traversing unfamiliar terrains; and hazy outlines of the sun, moon, or distant dwellings. These elements comprise the visual lexicon of his inner landscape.
In contrast to Gao’s interrogations of absurd reality and ideological constructs in his literary and theatrical oeuvre, Gao’s painting is a thoroughly introspective practice that is neither outwardly declarative nor seeking shared resonance. Instead, they are a solitary journey through the psyche and the artist’s silent dialogue with the depths of his own consciousness, expressed through the grey tonalities of ink. This exhibition presents a selection of works created by Gao Xingjian from 1988 to the present, generously donated to National Taiwan Normal University. Together, they reflect the artist’s unwavering aesthetic pursuit: grounded in interiority, transcending the boundary between the real and the imagined, and constructing an artistic space shaped by freedom, lyricism, and solitude. Gao once wrote that painting must “return to the visual perceptions and the inner self, to the spirit.” In the rhythmic flow of ink and blankness, viewers are invited to gaze and reflect, and encounter the spiritual dimension the works reveal.
For more information: https://www.artmuse.ntnu.edu.tw/index.php/en/2025visioninterieure-2/
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